Please take the 18+ warning seriously and be elsewhere. Same goes if you're easily offended by bad language...
There have been some discussions of late
regarding the use of swear words in writing and social media which interests
me. I’m not convinced every second word on Facebook or Twitter needs to be 'fuck'
but I do feel this word has its place and I get a little riled up when people dismiss it out of hand. Same goes for the rest of the naughty
word hoard. And maybe this is a sensitive subject for me. Say, in the way that
censorship is a sensitive issue for anyone with something to say. I believe
that if you don’t use swearing, you risk not being authentic. Let’s look at the
arguments...
1. Does not using swear words water down your
character?
Remember the film, ‘On Golden Pond’, where the teenager swears and keeps
using the word ‘bullshit’? And Henry Fonda’s crotchety old bugger tells the kid
it’s a good word? The word acts as a link, bridging the age gap between these
two characters. Henry Fonda’s character is a tell-it-like-it-is person who sees
much bullshit around him and is more than happy to label it as such. The use of
the word strengthens the portrayal of that character and the commonality he shares
with a jaded teenager. You couldn’t have told the story without the swear word;
there is simply no translation of ‘bullshit’ that would have served the same
purpose.
Let’s take a character called Bob. Now, our mate Bob is a Marine
(because I write romance and we like our Marines, yes we do) stamping the
ground, grumping and groaning because he gets shot in the left buttock. We’ll
even make it friendly fire to really rub salt in the wound.
 |
| Careful or he's gonna smite you. |
“*)#%$#@^&!!!” said Bob to his friend Reg
who just accidentally shot him in the arse.
So,
what do you imagine that ‘%$#@^&’ to be? Hmm? If Bob just yodels and yowls
and hisses then we’re not exactly being true to that character, are we? We’re
showing his anger and extreme discomfort, but we’re also slapping a gag order
on him. If I’ve picked up that book because I want to read about Bob the
Marine, then I don’t want him in measured doses. I want him shown in bright,
sparkly rainbow colours that speak of truth and depth of character. I want him
to be believable, reacting appropriately to whatever the story throws at him.
2. Is swearing in theme with what the book is
about?
In erotic tales, if your characters are already getting up to steamy,
kinky type action operating outside the norms of etiquette and acceptable
public acts then the swearing will just be a part of that. So much so that
misuse of the right words can be jarring for the reader. His ‘male
member’ might be his ‘throbbing manhood’ but if you can’t also call it a cock
or a dick then you should maybe not be writing what you’re writing. Terminology
matters. Purple prose has been the death
of more racy romances than you can imagine. ‘Heat seeking missiles’ and ‘stallion
meat’ have no place in books of any worth. Or any other books written. Ever. Or on
dirty alley walls. And we’re past the ‘quivering bosom’ stage, aren’t we? Because
frankly, if they’re quivering, you need to put on a sports bra and be done with
it.
3. Is swearing in theme with the world that’s been
created?
In Deadwood the characters were mostly rolling with a more polite society’s
archaic, flowery language – but to counter balance this we had the various
whores and nasty types enjoying the lawless atmosphere there. If Deadwood is
defined as the place law does not touch then it would have been inauthentic to
pussyfoot around the way the populace of that world would talk. The leader of
the Chinese community of Deadwood, Wu, only knew two words of English, ‘Swearengen’ and ‘cocksucker’. But he could
put across a wealth of meaning with just those two words.
Ever watch ‘the Wire’? It was a wonderful show dealing with inner city
crime and the police task force trying to reduce same. Well, there was a
certain scene commonly known as the ‘murder investigation’ scene where the word
'fuck' was said thirty-eight times. It is pretty much the only word said and in
so many different contexts that the one word leaves you no doubt as to exactly
what they’re talking about. That’s not lazy writing; that extraordinary
writing. And you can watch it here if you don't believe me...
http://www.youtube.com/verify_age?next_url=/watch%3Fv%3DLN5eYFH8HZ8
How’s about inventing a language to circumvent the colourful language
barrier? Firefly did it with zest by spouting Mandarin. Battlestar Galactica also had their own curses.
4. Is it just a cheap kick?
There is a genuine reason a writer would use these words; they have
clout. While overuse in the wrong context can be facile and annoying (who
hasn’t been to a rock concert where every slurred line of speech is abundant
with naughty words and the crowd cheers wildly throughout). How cool! And edgy!
And shit!? But equally well, it’s pointless and over used. So yes, swearing has
its limits. It can get well hackneyed. In one episode of Game of Thrones the word ‘cunt’
was used four times in different scenes. By the end of it we were all rolling
our eyes. Boring! So no, don’t throw it around with giddy abandon. It can get stale. In
Game of Thrones it started to stick out as cool word of the week as opposed to
a tool for conveying character and mood. In Deadwood, Calamity Jane would have
dropped the c-bomb four times in a single scene but it never stuck out as unnecessary.
It was her word and it reflected her character.
But to rule it out completely is to limit your writing. Shakespeare might have eschewed such words
but Harold Pinter put them in their place, and rightfully so. (Of course,
Shakespeare also invented half the English language so I dare I say, the rules
do not apply. If you have that sort of license you don’t need to swear.)
One of the main arguments against swearing is that if it is not usually
used in that context and in that type of story-telling then it can jump the
reader or the audience out of the story. The reader will be startled, shifting
from being in the world you’ve created to thinking about the author using a
particular word. In other words, you’ve lost them baby. The continuity in
whatever magic you made that had them turning the page is cut. Respect your
audience.
In all, there are reasons to be careful in your use of offensive
language, but to rule it out completely is stupidity. There are important
reasons especially based on authenticity to character, to story and world for
using such words.
